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Cake day: September 24th, 2024

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  • vaguerant@fedia.iotomemes@lemmy.worldPokeGENDA
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    1 month ago

    I checked, whoever CONEY is isn’t saying these things, it’s a reaction video making fun of the satanic panic around Pokémon. That’s why in the profile pic he looks like one of those dudes who would make an outrageous reaction face in the thumbnail, because he usually does. No shade, except for the obvious shade.

    EDIT: I’m watching the OG video (35 damn minutes); favorite pull quote so far:

    The danger of Dungeons & Dragons or any kind of role-playing game like this is that it’s played with the mind and–when played with the mind–the mind begins to lose that fine line with what’s real and what’s fantasy. And the more you get into the fantasy world, the more it seems real and all of a sudden now, you don’t know what’s real or what’s not.

    Seems like.

    EDIT2: Hold up though, is this guy working undercover for Prima Guides or something?

    And now, parents, if you’re not up on Pokémon, you need to be. And one of the things you can do is go out and buy the official Pokémon Trading Card Game Player’s Guide. And you can get this at any store that sells any of the Pokémon stuff. I mean anything. You can get it like at Toys ‘R’ Us or any of those places that sell any of the Pokémon.



  • I watched the eight-part miniseries Washington Black (US: Hulu, CA/UK/AU: Disney+). It’s a sort of swashbuckling 1800s steampunk fairytale of a Barbadian boy (the titular George Washington Black) who escapes the life of slavery he was born into using his scientific aptitude and a fantastical airship. I have somewhat mixed feelings about the depiction of life within the show’s universe, but going any further than that strays into spoiler territory. Overall, it was fun to watch. Sterling K. Brown is a major standout in the cast, but everybody is doing good work.

    Below I’ll go into a bit more detail about the things I liked less. It’s fairly minor spoilers, mostly about things that don’t happen in the show, but if you don’t want to know anything going in, skip it.

    Spoilers

    Presumably in service of being “fun to watch,” the realities of slavery and racism in the era are glossed over and sanded down significantly compared to the novel it’s adapting or actual history. There are a few threats of gratuitous violence but probably the worst thing that happens is a slap, which is bad but on the lower end of awful things that might happen to a slave. Nobody in the show’s universe seems to know any racial slurs. There is an over-representation of enlightened, abolitionist white men, although they are for the most part deeply flawed, not idealized white saviors.

    I don’t mean to give the impression that the racism is entirely whitewashed. There’s at least one unrepentant slaver, several malevolent slave-catchers, a light-skinned, mixed-race character is forced to disguise their parentage to continue living in wealthy, white society. But the show’s focus is mostly on the fun parts: the adventures, romance and airships, with the less palatable stuff frequently only implied or occurring off-camera.

    Overall, I’d say it’s what you might expect from a Disney(-ish) fairytale adaptation of darker source material. It just feels a little weird when the elements that were dropped are the harsh realities of 1800s racism and not … little mermaids dying (Hans Christian Anderson spoilers). Again, I had fun watching it, but I feel conflicted about how healthy it is to make historical fiction fun by softening the harder edges. Who knows, maybe it’s OK to have some escapist fiction with PoC protagonists, as a treat?

    For people who have seen Nautilus (US/CA: AMC+, UK: Amazon Prime Video, AU: Stan), I’d say that’s a better show, as far as swashbuckling steampunk adventures which try to engage with the racial dynamics of the (fictionalized) eras they represent. But both shows are very enjoyable, quite short and easy to watch. Go watch Nautilus.





  • I would kind of argue it’s Fox News that lied on this one. They edited down his full response which was a lot more sketchy about whether he would release the files.

    In the interview, co-host Rachel Campos-Duffy asked whether Trump would declassify “9/11 files” and “JFK files.” He said yes without hesitation. Then she asked, “Would you declassify the Epstein files?”

    His answer, as it initially aired: “Yeah, yeah, I would.”

    But in the full version that only aired later, Trump said, “Yeah, yeah, I would. I guess I would. I think that less so because, you don’t know, you don’t want to affect people’s lives if it’s phony stuff in there, because it’s a lot of phony stuff with that whole world. But I think I would, or at least—”

    Campos-Duffy interjected and said, “Do you think that would restore trust? Help restore trust?”

    Trump hedged again: “I don’t know about Epstein, so much as I do the others. Certainly, about the way he died. It’d be interesting to find out what happened there, because that was a weird situation and the cameras didn’t happen to be working, etc., etc. But yeah, I’d go a long way toward that one. The other stuff, I would.”

    His actual answer hedges on how much or whether he’d release any of the Epstein files and especially the actually damaging stuff, preferring to release only the stuff about how he died while casting aspersions about the reliability of the whole … pedo jet and island part. Fox edited him down to a more agreeable position than the one he actually held.


  • If you don’t mind revealing (hi ninjas), how were you playing this on PC? Only, there’s a lot of options these days. There’s the time-tested N64 emulators, but more recently we’ve got two new methods:

    The PC port of the source code decompilation:

    And the recompilation of the binary:

    For anybody who’s unfamiliar with decomps ports and recomps, they have outwardly similar results but are achieved using very different methods.

    Using the old “source code == recipe” analogy, a decompilation is where you purchase a meal and take it back to the lab where a team of scientists painstakingly analyze it to uncover the original recipe that made it, both in terms of ingredients and the cooking method. Once you have that, you can either make an exact copy of the meal or change it to suit your preferences. Dropping the analogy for a minute, you can modify the game any way you like and even go as far as building it for completely different platforms, across as many CPU architectures as you like.

    Recompilation is a bit harder to describe using the recipe analogy, because at no point do you actually uncover what the original recipe was. Let’s say you have a fancy Klingon delicacy prepared which is utterly inedible to humans. Unfortunately, you are human. Without knowing how it was made, you feed the dish into the back end of a replicator, which puts it back together in a form which offers the same flavor profile but is edible by humans. In this analogy, the Klingon meal is a game built for the Nintendo 64’s MIPS CPU, while your human anatomy requires food for an x86-64 CPU. However, you can’t feed the output to a Vulcan for the same reason you couldn’t eat the Klingon meal.

    As an end-user, the result doesn’t change that much if your goal is just to play Mario Kart 64 on PC. Decompilation is the more labor-intensive process which eventually results in a more flexible “recipe” you can mix around as you like, while recompilation gets you a meal without necessarily helping you understand what went into it or how to make it yourself or change its composition to your preference. Both of these analogies undersell the amount of work that goes into either approach, so I do apologize for making it sound as easy as the sci-fi technology suggests.


  • There were definitely backlashes to big popular artists of prior decades, like Elvis and the Beatles. Partly it was couched in that “They’re corrupting the youth” conservatism, but also anything that’s popular with tween and teen girls tends to catch a lot of flack regardless of whether or not it’s deserved. Think Twilight or One Direction. I don’t care for either, but they both became out-sized hate figures for weird adult men. There was no shortage of enraged nerd hot takes when that sparkly vampire guy was cast as Batman.

    I think Coldplay is kind of on the same page. Which is obviously faint praise, but they have a sort of inoffensively palatable sound which is both the reason they’re so successful and the thing people dislike about them. But it’s probably not worth getting angry about.